"And in case you think there might be little technique - art - involved, there is great lighting, prop setting, design and sound - as well as dozens of ghostly actors.In 30 minutes or so it managed, without a word being spoken, to engage thought and emotion at every level and feast the eyes and senses in rich imagery and sounds. Quite a feat". Peter D Cox review of 'Deep End'

"You feel as if you have witnessed a haunting. Although the vast Sicilian marble swimming pool is empty, it brims over with memories. Move along into "the second-class bath" and it is as if the whole building is crying out to protect its faded haughty grandeur, as nature invades and branches of trees insinuate themselves through walls. In half an hour it is all over, and as you are sent out again into the bustle of Soho's streets, you wonder if you imagined it" Lyn Gardner review of Deep End

"A performance about cafes presented in a genuine cafe immediately brings audiences into Morrison's world, just by taking a seat at a formica table under fluorescent lights. Recorded interviews with Turkish Cypriot cafe owners play as cooked breakfasts are served; the clatter of cutlery on china mingles with evocative stories of Anglicised nicknames, misspelt menus, the pressures of family business - "never work with your wife!" - and friction between ebullient Turkish diners and meek English regulars." Review of Leftovers by Hazel Tsoi-Wiles

"From the moment carnations were pinned to the audience on their entry it was clear that this was going to be no ordinary show. Led into the ornate surroundings of The Signet Library- all pillars and gold gilt- we were then ushered in front of a camera in groups of six, given an identity to pose with then requested to sit down at our allotted seats, apply our headsets then wait. Then the proceedings began." Review of Ringside by David Marren

"Humanity and tenderness, honesty and indeed universality all inform Ringside alongside one of the most stylish installations youll find anywhere on the Fringe". Mary Brenan The Herald